London’s Superfecta, formed in 2011, have released their debut EP, a four-song effort titled simply The EP. Drawing influence or ‘mojo’ from bands such as Soundgarden, Alter Bridge, Stone Temple Pilots, or Alice In Chains, the modern rock or nu-grunge band focuses each song on a different classic hook of …

Caveat: don’t judge a band’s entire output based on one “free” song. This tune, “Everything I Am Not”, by West Yorkshire UK’s Down The Machine, sounds like a cross between industrial bands like Nine Inch Nails, grunge type outfits like Alice In Chains, and modern rock outfits like Audioslave. The …

With a 37 year career and at least 30 major releases behind him, influential guitarist Pat Travers knows a few things about music, guitar, and ‘the business’. PlanetMosh’s Iris North was delighted to have the opportunity to pick his brain, regarding his fantastic new album Can Do, his upcoming tour, …

Klaus Eichstadt: In His Right Mind Ugly Kid Joe officially disbanded in 1997 after seven years together, racking up record sales exceeding five million worldwide. “20 years after their last hit”, these California rockers have reunited and returned to reclaim a spot among rock’s elite. With a recent blockbuster concert, …

Ambush is a nicely-produced, 13-track offering from Parma, Italy’s Celeb Car Crash. In contrast to their catastrophic name, this is a ‘safe’ album in the alternative rock, or nu-grunge vein. The band is competent, skilled, and versatile. Their sound could be described as vaguely reminiscent of Alice In Chains, or …

Evergrey guitarist Marcus Jidell released his solo album, Pictures From A Time Traveller, in 2013 through Lion Music. It’s definitely an instrumental guitar album, but it doesn’t fall prey to “backing tracky” sound, or overly indulgent ‘shred’ in any given passage. Fluid passages lull one into a drifting, borderless sea… …

This is Lancaster-based Promethium‘s second album, titled Origins. This is a ten-track rock and roll album which ventures in to both metal and acoustic ballad territory. It’s fairly even-tempered, with most songs bearing different nuances of hard rock flavor. While crisp and modern, the mix is very vocal-forward or vocalist-centric, …

Death metal band Craven Idol have arrived, with their debut album Towards Eschaton. This is the UK-based band’s first major release on a label, although their demo, released in 2006, did sell out all 50 copies. Raspy, caustic vocals in these eight tracks blend with ‘fast to blast’ tempo metal. …

France’s Bliss Of Flesh upholds the brutal death metal genre with their 2013 release, Beati Pauperes Spiritu. They seem vaguely similar to Behemoth in the latter’s early, intense years. The band does experiment with melody, especially during “On The Path To Expiation”. What sets this album apart from others within …

Mordecai, a band from London, bring listeners 11 tunes showcased on their debut Undaunted. The band mixes two styles of rock in to their signature: a slower, melodic balladry and a fairly modern rock swagger. They sound vaguely American, but not so ‘in-your-face’. The songs follow, for the most part, …

Beaten To Death is a band from Norway, featuring members of current, established metal acts: Tsjuder, Insense, and She Said Destroy. If you are looking for vicious grindcore that’s also innovative and satirical, look to Dodsfest!. These guys nail it: everything from dirty grind to jangle-pop melodies (played over blastbeats). …

Ghost Avenue‘s brand of heavy music used to be called classic or power metal. On their eponymous 2013 disc, this Norwegian band showcases 11 energetic, catchy, melodic songs powered by dual guitar riffs. Add to that a solid rhythm section and a reasonably good vocalist for the genre, and you’ve …

Canada’s Dissension have released a ten-song, fifty-minute concept album, Of Time And Chronic Disease. Combining elements of symphonic black, gritty death, burly power, and raging thrash metal, it offers sonic shocks to a diverse palette. Fans of second-wave symphonic metal (contemporaries to Dimmu Borgir, Cradle Of Filth, et al) ought …

Rare is the band who grasps the concept of ‘storming out of the gate’ with a killer debut that meshes great musicianship, good songwriting, and top quality production. Portugal’s Destroyers Of All offer a left-of-center metal assault, combining technical proficiency with catchy riff arrangements and songwriting, to deliver an incendiary …

Mockingbird‘s Live Cuts was recorded at Wizzfest in Belgium. This Irish band formed in 2009; they still have some raw energy and enthusiasm carrying them forward. The album’s ten charming tracks are mixed fairly unbalanced, which is typical for a live setting. When the guitar breaks to solo (tasty!), the …

Finland’s Oranssi Pazuzu presents fans with six original, genre-expanding, no-frills good tunes. Music replete with creativity sparks interest. Valonielu blends sparse industrial with rock, insanely running it through an extreme metal filter, resulting in a crazy chimera. The long, well-crafted songs feature guitars utilizing some of the heaviest, thickest “breakup” …

Otargos are a French black metal band, and their latest offering, Apex Terror, contains 9 tracks of intense and well-produced extremity. Aggressive, clear, fast, bleak, and highly negative, it’s vaguely reminiscent of fellow Frenchmen Antaeus. “For Terra” slows down enough to really groove; “Remnant From A Long-Dead Star” continues that …

Master, the former Chicago – now Czech band, are alive and well! These guys rose through the same ranks that acts like Slayer and Metallica did. With The Witchhunt, they play through some of the most bludgeoning riffs of their career. A variety of moods and tempos offer something to …

Pennsylvania’s Incantation channel quintessential classic mid-90s deathmetal / grindcore with this reissue of 1994’s Mortal Throne of Nazarene. This band is one of the forerunners of what became brutal deathmetal. John McEntee and crew perfected the doom-to-blast atmospheric mood, alternating slow segments with ‘breakneck pace’ grindcore blastbeat licks. In eight songs, …

Whole is 2013’s release by Chicago modern metallers Soil. The nicely-produced disc is well balanced, with the full band audible and appreciable. A natural progression from (and successor to) 2001’s Scars, the disc stays true to the band’s downtuned, crunchy, catchy form. I hear two cross-disc highlights: the emotive, powerful, …