Counting Days (Ex-Heights, TRC) reveal official video for ‘Liberated Sounds’

Crushing” – Daniel P Carter, BBC Radio 1 Rock Show

 

“Counting Days just want to smack you round the face with their intense hardcore metal” – Alex Baker, Kerrang! Radio

 

“Metallic hardcore mayhem” ­ Metal Hammer

 

“Counting Days do big, belligerent metal. They do it better than you, us and pretty much everyone out there” Rock Sound

 

Ahead of the release their debut album ‘Liberated Sounds’ on 16th October via Mascot Records/Mascot Label Group (Black Label Society, Gojira, Joe Bonamassa), Counting Dayshave revealed the official video for their new single ‘Liberated Sounds’.

Filmed during the recording of the album at Studio Fredman in Gothenburg it features behind the scenes studio footage of the band in action with guitarist Charlie Wilson commenting, “We’re stoked to do a studio video capturing some of the memories we have of our time at Studio Fredman in Gothenburg, it really was a time in our lives that we will never forget.”

 

Formed in 2014, Counting Days entwine a complex and ferocious blend of hardcore punk, thrash and British heavy metal which has already marked them out as one of the most exciting and talked about metalcore acts in Britain. Made up of former members of TRC, Heights, Rough Hands and Last Witness they harness the power of their previous bands and bring it to an exhilarating new level.

 

As the beating heart and song-writing partnership in TRC, Charlie Wilson (Guitar) along with Lasselle Lewis (Drums) began broadening and pushing their boundaries as Charlie explains; “I had some songs that I had been writing that didn’t quite fit with the band so I sent them over to Lasselle to see what he thought and he was blown away and totally into it.”

 

The band started to cement with the addition of former Heights frontman Thomas Debaere, whose throat shredding growl earmarked him as one of the new generation of formidable British metal vocalist. Bobby Daniels (Guitar) of Last Witness soon followed and the final piece was added during a TRC tour with South London noise-terrorists Rough Hands, where frontmanAlex Dench was then recruited for bass and vocal duties.

 

Produced by Fredrik Nordstrom (At The Gates, Arch Enemy, In Flames, Opeth, Architects, Bring Me the Horizon) at his Studio Fredman in Gothenburg, Sweden, ‘Liberated Sounds’ subject matter hits on a number of recurring themes; mortality, relationships and religion all return throughout. Elaborating on the lyrical content Thomas reveals; “This wasn’t a conscious effort, they are just things that really struck a chord. Even the title, Liberated Sounds, was inspired by the feeling we all got from writing it, five mates writing music without restrictions or judgement.

 

Opening with the intense ‘Burned by Faith’ it explodes screaming; “Burned by faith, died in faith/You say there’s a god

who cures darkness and pain, so you spread violence and hatred, to praise his name/He created the earth, the sun and the rain, you murder those, who don’t believe the same.” Far from being an anti-religious song, it’s more to do with what some people do in the name of religion; extremism battling against the overwhelming desire for peace as well as questioning the path extremists would have taken if there was no afterlife.

 

Unafraid to tackle difficult and distressing subjects ‘Die Alone’ is about facing your own mortality and realising the certainty of death. Thomas continues to delve into the belly of the subject matter stating, “It questions the privilege with which some people are able to live their lives in the face of the basic fact that one day we will all go out the same way.” Burrowing further into human emotions ‘Fire From The Sky’ is about the mental effects of war, “I had been studying the treatment of soldiers with shellshock and the lack of understanding in the First World War” he adds before elaborating, “I wanted to highlight the damaging consequences beyond the physical injuries suffered during war.

 

The time spent in the studio with Nordstrom afforded them the chance to collaborate with one of their biggest influences in Tomas Lindberg of At The Gates who provided vocals on the newly recorded version of ‘Sands of Time’. Clearly won over Lindberg states; “I got contacted through the guys at Fredman studios, I know these guys pretty well, and trusted their judgement in checking this UK band out that were recording there. I was hit by the great mix of old school hardcore and crude death metal tone of the song. Did I want to come down and throw down some vocals? Hell yes! Turned out the vocals that I was going to use as a guide track were super ferocious and ass kicking, so that really fired me up to deliver on the highest level. These guys were super professional and I am sure that they will go far. I can´t wait to check out the full album when it´s out!

 

In ‘Liberated Sounds’, Counting Days are to unleash one of the most formidable records of the year that will twist, turn and refuse to leave your consciousness.

 

Liberated Sounds will be released on Mascot Records/Mascot Label Group on 16th October 2015.

 

Upcoming Shows

 

1st October – The Parrot, Carmarthen

3rd October – The Ex-Servicemen’s Club, Corby

11th October – The Scream Lounge, Croydon

23rd October – Riverside, Sheffield

24th October – The Festing, Southsea

26th November – The Scene, Swansea

28th November – The Rainbow, Birmingham

29th November – Sanctuary, Basingstoke

3rd December – Packhouse, Leeds

4th December – Vic Inn, Derby

5th December – Frog & Fiddle, Cheltenham

12th December – Craufurd Arms, Milton Keynes

 

‘Liberated Sounds’ single stream HERE

‘Liberated Sounds’ lyric video HERE

 

Pre-order the album from HERE and via Amazon

About David Farrell

General Manager and 'THE' competition guy at planetmosh.com. Manager of The Goddanm Electric www.thegde.co.uk, Tour manager for Serpentine, and ex-general Dogsbody at Hammerfest.co.uk. Media partner to numerous bands. Also takes photos, writes reviews and likes classic rock, with a touch of thrash to get the blood flowing.