PlanetMosh Keeping it Metal
INA FORSMAN
NEW ALBUM “ALL THERE IS”
RELEASED BY JAZZHAUS RECORDSFRIDAY 24 JUNE 2022
PRE-ORDER THE ALBUM FROM
WWW.INAFORSMAN.COM
STREAM THE NEW SINGLES
“DON’T LOSE TODAY” & “ONE NIGHT IN BERLIN”
FROM HTTPS://MUSAIC.BIO/INA-FORSMAN
A voice is always a voice. No other instrument in the world of music can be embraced by a true artist as unequivocally as human singing. The voice is the acoustic union of soul and face. If an extraordinary voice can slip into different guises and can communicate extraordinary stories, then something special is guaranteed. Ina Forsman’s new album is such a thing. All There Is, the third studio album from Ina Forsman, is a multi-faceted affair. It is profound and exudes Ina’s powerhouse vocal vulnerability.
Released by Jazzhaus Records on Friday 24 June 2022, Ina’s highly anticipated new album is available to pre-order from www.inaforsman.com.
Her new singles Don’t Lose Today and One Night In Berlin are out now.
Watch the music video for the new single Don’t Lose Today – https://bit.ly/35L8Jlz
Watch the visualizer for the new single One Night In Berlin– https://bit.ly/3LDPc5Y
Ina Forsman herself describes her music as cinematic soul. On the one hand, her songs are influenced by the soul of the 1960s and 1970s and give undisguised insights into mental states. On the other hand, they feature dramatic plot threads, an explosive colour palette, and character.
On the Berlin-based Finnish singer’s sophomore album Been Meaning To Tell You (2019) and her eponymous debut album Ina Forsman (2016), Ina presented herself as a promising vocalist, influenced by her role models. On the new album, All There Is she comes into her own. The isolation associated with the lockdown may have initiated Ina’s new direction, but in doing so, the young singer moved into a new direction.
“Who am I, what am I doing here,” she seems to ask us in every song. She no longer relies on formulas that have worked for the last 50 years but trusts in her very own vocabulary in her atmospheric big city songs; sometimes in the shrill neon light, sometimes in the twilight of the nightshade.
“I look for melodies that are as soulful and organic as possible,” says Ina. “On the new album, for the first time, I wrote the music by myself. The pandemic suddenly left me with no other option. On my earlier albums, I wrote the lyrics and my vocal melody but left it to the other musicians to write their parts around my idea. This time I had to do all this alone. I produced my own demos, learned to play the piano, and even developed some of the arrangements for horns and backup vocals. It was a big challenge for me to write all the material on this album, but along the way, I finally found out what kind of music suits me.”
In the journey to finding her true self, Ina discovered versions of her own personality. An album is usually the mirror of the respective performer. On the new album, Ina goes much further. The new album is a kaleidoscope with many colours, shapes, timbres, and references.
To compose her songs, she based them on stories from her own life. She describes All There Is, as “a love album,” but it also depicts the different circumstances of an independent artistic personality. “Even behind the greatest love stories there is usually a struggle,” says Ina. “In some songs, I tell how people fight together and then find their way to happiness. The two main aspects of this record are about life-changing love and life-changing struggles.”
Like any great storyteller, Ina always finds an outlet for her characters in her songs. Listening to Ina’s music is almost like she is learning about life but in the most entertaining way. At the same time, she finds new appointments between past and present in every song. She makes no secret of her commitment to old school soul and jazz.
The album’s instrumentation, mix and sonic environment may indeed be very Sixties, and that’s exactly how it’s meant to be. But thanks to Ina’s incredible presence in every single syllable that she sings, which is also expressed in her arrangements, this journey does not lead straight into the past, but always explores the sixties and seventies through the window of the present.
“I write my songs as intuitively as possible,” explains Ina. “When I sit down to write a song, I don’t think about what Aretha Franklin’s or Dusty Springfield’s producer would do but write down what comes to mind as a Finnish girl in Berlin.”
Life is complex and what we perceive as a moment is nothing more than a gondola on the cable car between the past and the future. Ina’s songs take us back to our memory and, through the power of her voice and imagination, carry us towards our hopes and expectations. An album about and for life in its endless creative diversity.
“ALL THERE IS”TRACK LISTING
1. LOVE ME (3:45)
2. DON’T LOSE TODAY (2:59)
3. ALL THERE IS (4:43)
4. WE COULD BE GOLD DIGGERS (3:56)
5. POOR HEART (5:09)
6. ONE NIGHT IN BERLIN (3:39)
7. PROMISES (4:32)
8. DIVE (4:27)
9. APRIL SONG (3:41)
10. RAW HONEY (4:38)
PRODUCTION CREDITS
All songs written and performed by Ina Forsman
Recorded at Lowswing Studio in Berlin & Soul Food Studio in Helsinki
Produced by Michael Bleu, Guy Sternberg & Ina Forsman
Horn Arrangements by Janne Toivonen, Ori Jacobson, Ina Forsman
String arrangements by Michael Bleu, Thomas Moked Blum
Back up vocal arrangements Hanna-Maria Helenius, Ina Forsman
BAND LINE-UP
Ina Forsman – Vocals
Piano & Keys – Samuli Rautiainen, Doron Segal
Guitar – Kalle Outila, Regardt Scheepers, Michael Bleu, Thomas Moked Blum
Bass – Iiro Kautto, Paul B. Keeves
Drums & Percussion – Daniel Hjerppe, Nikolai Ziel
Percussion – Michael Bleu
Tenor Saxophone – Sirpa Suomalainen, Ori Jacobson
Trumpet – Janne Toivonen, Dmytro Bondarev
Trombone – Heikki Tuhkanen, Andrej Ugoljew
Baritone Saxophone – Johannes Salomaa
Strings – Jarkko Saura, Thomas Moked Blum
Back Up Vocals – Helen Meyer, Jenni Taari, Hanna-Maria Helenius, Ina Forsman
