King Diamond announces new DVD/Blu-ray, ‘Songs For The Dead Live’

Louise Swift 9 December 2018 Press Release

 

King Diamond announces new DVD/Blu-ray, ‘Songs For The Dead Live’; new video “Sleepless Nights (Live at The Fillmore)” now online

On January 25th, King Diamond will release a new DVD/Blu-ray, Songs For The Dead Live, via Metal Blade Records.

There is only one King Diamond, and for more than thirty years the great Dane has been dropping classic albums and putting on shows fans remember for the rest of their lives. Perhaps the only downside to having such a formidable catalogue is that there are just too many great songs to fit into a single set. However, you would be hard-pressed to find a fan who wouldn’t want to hear 1987’s seminal Abigail in its entirety, and Songs For The Dead Live captures this, twice, and in very different locales. Boasting eighteen songs per set, each of the two shows – Belgium’s Graspop Metal Meeting in June 2016 and Philadelphia’s Fillmore in November 2015 – feature a brace of classic King Diamond and Mercyful Fate tracks including “Welcome Home,” “Halloween,” and “Eye Of The Witch” before launching into Abigail. The performances of the all-star lineup of musicians, comprising of guitarists Andy LaRocque and Mike Wead, bassist Pontus Egberg and drummer Matt Thompson, are absolutely ferocious, hammering home every single moment.

For a preview of Songs For The Dead Live, a video for “Sleepless Nights (Live at The Fillmore)” can be viewed at: http://metalblade.com/kingdiamond/ – where you can also pre-order the release in the following formats:
–2DVD/CD 6-Panel Digipak
–Blu-ray (includes audio digital download of Philadelphia Show)
–special edition box set with 5 discs (2DVD, 2CD, 1 Blu-ray) plus poster, flier, laminate, setlist, ticket, sticker, and guitar pick (limited to 3000 copies)
–opaque blue with white splatter vinyl (US retail exclusive – limited to 600 copies)
–opaque red with black splatter vinyl (US webstore exclusive – limited to 200 copies)
–opaque white with black splatter vinyl (US webstore exclusive – limited to 200 copies)
–180g black vinyl (EU exclusive)
–transparent amber marbled vinyl (EU exclusive – limited to 700 copies)
–clear ghost white vinyl (EU exclusive – limited to 500 copies)
–orange-brown/black marbled vinyl (EU exclusive – limited to 300 copies)
–black/purple melt vinyl (Nuclear Blast exclusive – limited to 200 copies)
–orange/red marbled vinyl (Napalm exclusive – limited to 300 copies)
–clear lavender marbled vinyl (EMP exclusive – limited to 200 copies)
–clear ash grey marbled vinyl (Bengan exclusive – limited to 200 copies)
–pink blue marbled vinyl (Ebay exclusive – limited to 200 copies)

Captured on film by director Denise Korycki for Wild Wind Studios, she worked closely with King on every aspect of filming, and throughout the viewer finds themselves front and center as the shows unfold. This includes some inventive camera placement, such as riding in on the back of the wheelchair as it is wheeled out to “Out From The Asylum” at the start of the show, or looking up from the coffin at the commencement of Abigail opener “Funeral”, which adds an extra dimension to proceedings. Naturally, the theatricality that has become synonymous with King Diamond is there in full force, making for an even more immersive experience. The gothic stage set and the participation of actors playing out certain scenes tying into the songs definitely increases the drama and the sense of complete disconnect from the trappings of reality, ensuring that the shows remain riveting from start to finish.

While the setlists are virtually identical, the drastic difference in the two venues make for distinctly different atmospheres. The sweeping, epic scale of Graspop and the virtual sea of baying metalheads makes for a particularly thrilling spectacle, King holding them all in the palm of his hand. The Fillmore show is immediately more intimate, and rather than a mixed bag of metal lovers drunk on a weekend of the heavy stuff, the audience is comprised entirely of the King Diamond devout, screaming back every word, their love for their hero bleeding from every frame. Songs For The Dead Live gives those who missed out on seeing these shows in the flesh a chance to vividly experience them, offering so much deeper an experience than your run of the mill live DVD.

Graspop Metal Meeting track-listing
1. Out from the Asylum
2. Welcome Home
3. Sleepless Nights
4. Halloween
5. Eye of the Witch
6. Melissa
7. Come to the Sabbath
8. Them
9. Funeral
10. Arrival
11. A Mansion in Darkness
12. The Family Ghost
13. The 7th Day of July 1777
14. Omens
15. The Possession
16. Abigail
17. Black Horsemen
18. Insanity

The Fillmore track-listing
1. Out from the Asylum
2. Welcome Home
3. Sleepless Nights
4. Eye of the Witch
5. Halloween
6. Melissa
7. Come to the Sabbath
8. Them
9. Funeral
10. Arrival
11. A Mansion in Darkness
12. The Family Ghost
13. The 7th Day of July 1777
14. Omens
15. The Possession
16. Abigail
17. Black Horsemen
18. Insanity

King Diamond online:
http://www.kingdiamondcoven.com
https://twitter.com/realkingdiamond
https://www.facebook.com/kingdiamondofficial

 

About Louise Swift

I first went to a gig in 1981, Gillan at Leeds University. I've been a regular gig goer ever since. I haven't kept count of how many gigs I've been to over the intervening years, but it's a lot! My favourite bands are AC/DC then, in no particular order, Anti-Nowhere League, Slaughter and the Dogs, Towers of London and Dirt Box Disco. I tend to like Glam/Punk and rude offensive lyrics, not sure what that says about me but as Animal would say 'So What!' The question was recently put to me - did I write for any online publications? My reply - No, but I'd like to! Planetmosh was suggested and I found myself offering to review Aces High Festival. Easy peasy I thought! Well not quite, if a jobs worth doing it's worth doing well! I had sixteen bands to research. I found I actually enjoyed that and it kept me too busy to be making lunatic comments on Facebook! ;) Then I felt a bit inadequately qualified. I mean, who am I to comment on others, when my musical expertise extends to being able to play a mean Greensleeves on the recorder and a passable Annie's song on the flute! Haven't picked up either instrument for years! What I do have, however, is over 30 years of experience as a gig goer, so I can comment on what I like and what I don't! It's only my opinion and, if I don't like a band it doesn't mean they are bad, just not to my own liking. I admire anyone who has the guts to get up on that stage and have a go!
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