Tag Archives: album review

Reign Of The Architect – Rise

Although Reign Of The Architect only fully coalesced as a band last year, this ambitious, Israeli-based progressive metal project has been five years in the making, with this album tracing its roots right back as far as 2008, when guitarist Yuval Kramer initially started work on this concept work, along …

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Gothminister – Utopia

‘Utopia’, Norwegian darkened industrialists Gothminister’s fifth album, is a concept work based around the concept of ‘Mr Jekyll And Dr Hyde’ – with, on this occasion, the inspiration coming from band leader Bjørn Alexander Brem and the duality of his existence as a lawyer by day and heavy metal musician …

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DGM – Momentum

Although personally this is my first encounter with DGM, if the evidence of ‘Momentum’ is anything to go by it is not hard to see why the Italian five piece are highly regarded as one of the better progressive metal bands on the continent of Europe. Featuring guest performances by …

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Death Tyrant – Opus De Tyranis

Death Tyrant emerged from the ashes of Swedish underground supremos Lord Belial when the latter broke up in 2010 – although, in one of those typically murky storylines which epitomizes the Scandinavian scene, they’ve apparently been re-activated on at least two occasions – and this debut album has been the …

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Stahlmann – Adamant

At first listen, German electro-industrialists Stahlmann evoke immediate comparisons with fellow countrymen Rammstein – huge chugging, crunching riffs, backed by punchy rhythms… and vocals delivered in their native language!  Add in a penchant for covering themselves in silver paint on stage, and its a parellel which they make stupidly simplistic …

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Kaledon – Altor: The King’s Blacksmith

Unsurprisingly, this seventh album from Rome’s Kaledon is forged in the fires of pure epic metal:  after all, this is a band who, over the course of the past decade, have released a six-part concept work set in medieval England – or the Kingdom of Kaledon as they refer to …

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Kadavar – Abra Kadavar

Kadavar are another in an increasingly long line of bands – such as Uncle Acid And The Deadbeats and Purson – who recently have been following in the footsteps of illustrious predecessors of the ilk of Electric Wizard and Spiritual Beggars in re-ploughing the retro furrow of late-60s psychedelica blues meets …

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Chosen – Resolution

Irish duo Chosen – guitarist/vocalist Paul Shields and drummer/percussionist David McCann – have been working together for around eight years now, releasing a few well-received EPs in that period and temporarily relocating to Vancouver before returning to their native sod to record and produce this debut full-lengther. The result is …

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Carved – Dies Irae

Every genre, musical sub-division, has its artists who epitomize its highest standards, and others (the vast majority, if truth be told) who are content to be pulled along on the coat-tails of said leading lights, often becoming mere pale imitations of the innovators who have gone before them.  Metalcore is …

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Trucker Diablo – Songs Of Iron

To say that this, the follow-up to their (initially self-released) debut, ‘The Devil Rhythm’, has been one of the most eagerly anticipated releases in this particular part of the world – that’s Norn Iron, for those of you who don’t know – is one of the hugest understatements in the …

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D-A-D – Dic.nii.lan.daft.erd.ark (Deluxe Edition)

D-A-D first came to prominence outside their native Denmark when it was reported that the mighty Walt Disney corporation had threatened to sue their young asses unless they changed the band’s original name – Disneyland After Dark:  it was not that the quartet had deliberately set out to court controversy …

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De La Cruz – Street Level

It may be 2013, and they may hail from the Gold Coast of Australia, but De La Cruz look and sound just like they’ve stepped out of a strip bar somewhere off LA’s Sunset Boulevard sometime back in the mid- to late-80s. ‘Street Level’ is very much from the Ratt …

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Suicide Bombers – Criminal Record

Being a rock DJ can be an extremely hazardous job – nearly as dangerous as trying to survive as a music journalist.  Please believe when I say this:  on and off, I’ve been spinning heavy rock and metal discs and writing shit about said same nonsense for more than two …

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Avantasia – ‘The Mystery Of Time’

Originally founded in 1999 as a means for the then 21-year old Tobias Sammet to produce what he regarded the ultimate rock opera project – something which he apparently eventually drew a line under when he announced the end of Avantasia from the Wacken stage back in August 2011.  But, …

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Grief Of Emerald – ‘It All Turns To Ashes’

Despite having been around, in one shape or form, for almost a quarter of a century, and being one of the most respected but under-rated acts on the Swedish black metal scene, it’s hard to believe that this is only Grief Of Emerald’s fifth full length album… With their more …

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Gospel of the Horns – ‘a Call to Arms’

Having loaned an entire new meaning to the phrase ‘down under’, Australia’s most OTT black metallers have split up and re-united more times than PM’s esteemed editor-in-chief has brewed a mug of Horlicks – originally calling it a day back in 1996 and then again at the beginning of 2007, …

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Howl – Bloodlines

Howl are an extreme metal quartet from Providence, Rhode Island. The band formed in 2006, so they are fairly ‘new’ or ‘young’. Howl signed with Relapse Records in 2009, releasing their first full-length effort, Full of Hell, in 2010. Their second album, Bloodlines, is slated for release by Relapse Records …

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Gloria Morti – ‘Lateral Constraint’

Right from the outset, this fourth album from Finnish thrash metal five piece Gloria Morti is a bruising, punishing affair, treading a path between thrash and death metal, with elements of BM thrown in for good measure. It’s not that the band can’t make up their mind which sub-genre they …

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